New Bomb Turks - garage punk from Columbus, Ohio https://newbombturks.com/
Tracks: 1. Point A to Point Blank 02:37 2. Automatic Teller 02:43 3. End of the Great Credibility Race 03:06 4. Too Much 01:03 5. Killer's Kiss 04:29 6. Continental Cats 02:35 7. Spanish Fly by Night 02:27 8. The Roof 03:17 9. Your Beaten Heart (rough mix) 04:08 10. Turning Tricks 01:54 11. Wine & Depression 02:15 12. Quarter to Four 02:28 13. Theme from Nightmare Scenario (bonus track) 03:51
about: 100% of monies generated by this digital release will be donated to Black Queer & Intersectional Collective bqic.net and Columbus Freedom Fund www.instagram.com/columbusfreedomfund . We encourage those who have the means, if so moved, to please pay more than the list price for this release. Don't sweat it if ya can't. In Solidarity, NBT
-------------------------------------------
It was spring, 1999. New Bomb Turks had just returned from their first tour of Australia in a suspended animation. They soon procured ace drumsman, dessert aficionado [not a typo], and all-around great guy, Sam Brown. It suddenly felt like a brand new beast, but they had an album to deliver forthwith, and nary a new song in sight! Nails were chomped to the cuticle, empty beer cans sat in the corner mocking us…
Like a Phoenix rising from the ashes (or at least like a bartender finding another unopened bottle of mezcal at last call), New Bomb Turks soared again. Within four months (May-August 1999), Sam slipped right into the NBT stool, 12 new songs were cooked up easy as fryin’ an egg, and they were back on the road with the Hellacopters to hash those new ones into place.
By the time the band got to Jim Diamond’s Ghetto Recorders studio in Detroit – his rep revving up from production jobs with the curdled cream of that Detroit trash-rock scene (Clone Defects, Detroit Cobras, Dirtbombs, White Stripes, Andre Williams) – New Bomb Turks were piqued like a baby screamin’ for a higher push on a swing set.
Over four days and nights, the band enjoyed their easiest and most fun recording session – the only break being a jaunt over to a bar to see a reunited Real Kids, their first show in years, which floored the band and only added more mezcal to the fire.
Final mixes were left to Jim Diamond, and by the time he forwarded them to the band, overdub ideas had hatched, and about half the record was remixed with local studio wiz, Jeff Graham, in Columbus. A middle ground was eventually found, and what resulted was Nightmare Scenario (Epitaph Records, 2000) – the fifth album in their six album/three compilation catalog, and the one the band believe is their best.
Like every band ever, the years have supplied moments of mixing rumination. So last year, when the band saw the 20th anniversary of Nightmare Scenario right up on their ass, they asked Jim Diamond if he had his original mixes lying around his palatial estate. He found them on a DAT (look it up, kids) tucked underneath a pile of professional recording deck manuals (i.e., old MAD mags). Lo and behold, they were even more ripping and burning and stinging than remembered. There was the 20th birthday idea, screamin’ like a brat!
So here you have the original mixes of Nightmare Scenario that Jim Diamond finished in November 1999, ensconced deep in his legendary, now torn-down Detroit digs. Ain’t saying it’s better than the original, just leaner and meaner. But don’t take our word for it – take yours when you’re screamin’ along too!
- Lance Forth, July 2020 (Astoria)
------------------------------------------- credits released August 7, 2020
-------------------------------------------
Recorded by Jim Diamond at Ghetto Recorders, Detroit, MI, November 3-7, 1999. Original mixes by Jim Diamond. Newly re-mastered by Jim Diamond July 2020.
Cover design by Henry H. Owings (Chunklet/Five Minute Flyers) Photo by Ewolf
Sam Brown: drums, percussion Eric Davidson: vox Matt Reber: bass, back vox, 2nd guitar on theme Jim Weber: guitars, back vox
New Bomb Turks - garage punk from Columbus, Ohio
ReplyDeletehttps://newbombturks.com/
Tracks:
1.
Point A to Point Blank 02:37
2.
Automatic Teller 02:43
3.
End of the Great Credibility Race 03:06
4.
Too Much 01:03
5.
Killer's Kiss 04:29
6.
Continental Cats 02:35
7.
Spanish Fly by Night 02:27
8.
The Roof 03:17
9.
Your Beaten Heart (rough mix) 04:08
10.
Turning Tricks 01:54
11.
Wine & Depression 02:15
12.
Quarter to Four 02:28
13.
Theme from Nightmare Scenario (bonus track) 03:51
about:
100% of monies generated by this digital release will be donated to Black Queer & Intersectional Collective bqic.net and Columbus Freedom Fund www.instagram.com/columbusfreedomfund . We encourage those who have the means, if so moved, to please pay more than the list price for this release. Don't sweat it if ya can't.
In Solidarity,
NBT
-------------------------------------------
It was spring, 1999. New Bomb Turks had just returned from their first tour of Australia in a suspended animation. They soon procured ace drumsman, dessert aficionado [not a typo], and all-around great guy, Sam Brown. It suddenly felt like a brand new beast, but they had an album to deliver forthwith, and nary a new song in sight! Nails were chomped to the cuticle, empty beer cans sat in the corner mocking us…
Like a Phoenix rising from the ashes (or at least like a bartender finding another unopened bottle of mezcal at last call), New Bomb Turks soared again. Within four months (May-August 1999), Sam slipped right into the NBT stool, 12 new songs were cooked up easy as fryin’ an egg, and they were back on the road with the Hellacopters to hash those new ones into place.
By the time the band got to Jim Diamond’s Ghetto Recorders studio in Detroit – his rep revving up from production jobs with the curdled cream of that Detroit trash-rock scene (Clone Defects, Detroit Cobras, Dirtbombs, White Stripes, Andre Williams) – New Bomb Turks were piqued like a baby screamin’ for a higher push on a swing set.
Over four days and nights, the band enjoyed their easiest and most fun recording session – the only break being a jaunt over to a bar to see a reunited Real Kids, their first show in years, which floored the band and only added more mezcal to the fire.
Final mixes were left to Jim Diamond, and by the time he forwarded them to the band, overdub ideas had hatched, and about half the record was remixed with local studio wiz, Jeff Graham, in Columbus. A middle ground was eventually found, and what resulted was Nightmare Scenario (Epitaph Records, 2000) – the fifth album in their six album/three compilation catalog, and the one the band believe is their best.
Like every band ever, the years have supplied moments of mixing rumination. So last year, when the band saw the 20th anniversary of Nightmare Scenario right up on their ass, they asked Jim Diamond if he had his original mixes lying around his palatial estate. He found them on a DAT (look it up, kids) tucked underneath a pile of professional recording deck manuals (i.e., old MAD mags). Lo and behold, they were even more ripping and burning and stinging than remembered. There was the 20th birthday idea, screamin’ like a brat!
So here you have the original mixes of Nightmare Scenario that Jim Diamond finished in November 1999, ensconced deep in his legendary, now torn-down Detroit digs. Ain’t saying it’s better than the original, just leaner and meaner. But don’t take our word for it – take yours when you’re screamin’ along too!
- Lance Forth, July 2020 (Astoria)
-------------------------------------------
credits
released August 7, 2020
-------------------------------------------
Recorded by Jim Diamond at Ghetto Recorders, Detroit, MI, November 3-7, 1999.
Original mixes by Jim Diamond. Newly re-mastered by Jim Diamond July 2020.
Cover design by Henry H. Owings (Chunklet/Five Minute Flyers)
Photo by Ewolf
Sam Brown: drums, percussion
Eric Davidson: vox
Matt Reber: bass, back vox, 2nd guitar on theme
Jim Weber: guitars, back vox
All songs Brown/Davidson/Reber/Weber. ©2000