the first single from the April 3rd release, necroscape. tētēma is Mike Patton (Faith No More, Mr. Bungle) with Australian electro-acoustic composer, Anthony Pateras. Pre-order the limited white vinyl, CD and Digital here: https://smarturl.it/necroscape
Visualizer created by Oleg Rooz - http://olegrooz.com Sculptures by Talitha Kennedy - http://www.talithakennedy.com
Pateras describes the song as sounding “like The Melvins' tour van broke down in the Balkans and instead of going home, they decide to open a mountain laboratory dedicated to possible hybrids of Rembetika and hardcore. This sounds like the pop music of a youth I wish I'd had, but instead I grew up in the suburbs of Melbourne smoking bongs and listening to Bungle."
Necroscape is sculpted around isolation in the surveillance age; and although lofty/high-concept sounding, it is still an intensely fun and heavy listen. Necroscape synthesizes a lot of territory: odd-time rock, musique concrète, otherworld grooves, soul, industrial noise, microtonal psychoacoustics… seemingly strange bedfellows on paper, yet they seamlessly coalesce into 13 songs which playfully challenge our notions of sonic logic and make you move at the same time. In a nutshell, listening to Necroscape creates the weird sensation of exclaiming "of course!" and "wtf?" simultaneously.
the first single from the April 3rd release, necroscape. tētēma is Mike Patton (Faith No More, Mr. Bungle) with Australian electro-acoustic composer, Anthony Pateras. Pre-order the limited white vinyl, CD and Digital here: https://smarturl.it/necroscape
ReplyDeleteVisualizer created by Oleg Rooz - http://olegrooz.com
Sculptures by Talitha Kennedy - http://www.talithakennedy.com
Pateras describes the song as sounding “like The Melvins' tour van broke down in the Balkans and instead of going home, they decide to open a mountain laboratory dedicated to possible hybrids of Rembetika and hardcore. This sounds like the pop music of a youth I wish I'd had, but instead I grew up in the suburbs of Melbourne smoking bongs and listening to Bungle."
Necroscape is sculpted around isolation in the surveillance age; and although lofty/high-concept sounding, it is still an intensely fun and heavy listen. Necroscape synthesizes a lot of territory: odd-time rock, musique concrète, otherworld grooves, soul, industrial noise, microtonal psychoacoustics… seemingly strange bedfellows on paper, yet they seamlessly coalesce into 13 songs which playfully challenge our notions of sonic logic and make you move at the same time. In a nutshell, listening to Necroscape creates the weird sensation of exclaiming "of course!" and "wtf?" simultaneously.