From 'Everything That Dies Someday Comes Back,' out now. http://hyperurl.co/everythingthatdies
“Day of Atonement” Audio by Uniform & The Body Film by Alexander Barton 2019 Super 8 Film 4 Minutes Featuring Edwin Bethea Developed and Transferred at Negativeland Motion Picture Lab, Brooklyn, NY
“Day of Atonement” is a Super 8 film by artist Alexander Barton from the new collaboration between The Body and Uniform’s “Everything That Dies Someday Comes Back” on Sacred Bones. The film’s character is in low resolution, a changing of disguises, an ambiguous identity, shadowed ideologies and masked by the skyline. The hooded figure is evasive to society. In this collection of images he has prepared himself and represents the threat of the unknown. NSFW
On the heels of their monolithic collaborative LP Mental Wounds Not Healing, the collaboration between industrial-noise post-everything bands Uniform & The Body returns with a second entry, Everything That Dies Someday Comes Back. Comprised of an amalgam of abrasive influence that spans Swans-y dirge and purge, Whitehouse’s clenched-jaw noise, middle-period Ministry’s penchant for metallic post-industrial everything, New Order’s nose for melodic emotionality, and Juicy J-inspired beats, Uniform & The Body’s approach delves deeper down the rabbit hole than before, igniting a sonic world of terror and bliss poised to grip the throats of fans yet again. Prepare for a record that the band self-describes as "the middle ground between Robyn and Corrupted, but weirder.”
From 'Everything That Dies Someday Comes Back,' out now.
ReplyDeletehttp://hyperurl.co/everythingthatdies
“Day of Atonement”
Audio by Uniform & The Body
Film by Alexander Barton
2019
Super 8 Film
4 Minutes
Featuring Edwin Bethea
Developed and Transferred at Negativeland Motion Picture Lab, Brooklyn, NY
“Day of Atonement” is a Super 8 film by artist Alexander Barton from the new collaboration between The Body and Uniform’s “Everything That Dies Someday Comes Back” on Sacred Bones. The film’s character is in low resolution, a changing of disguises, an ambiguous identity, shadowed ideologies and masked by the skyline. The hooded figure is evasive to society. In this collection of images he has prepared himself and represents the threat of the unknown. NSFW
www.alexanderbarton.com
IG: alexander_barton_studio
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On the heels of their monolithic collaborative LP Mental Wounds Not Healing, the collaboration between industrial-noise post-everything bands Uniform & The Body returns with a second entry, Everything That Dies Someday Comes Back. Comprised of an amalgam of abrasive influence that spans Swans-y dirge and purge, Whitehouse’s clenched-jaw noise, middle-period Ministry’s penchant for metallic post-industrial everything, New Order’s nose for melodic emotionality, and Juicy J-inspired beats, Uniform & The Body’s approach delves deeper down the rabbit hole than before, igniting a sonic world of terror and bliss poised to grip the throats of fans yet again. Prepare for a record that the band self-describes as "the middle ground between Robyn and Corrupted, but weirder.”