Nicolas Belvalette (the man behind Usé, who can also be seen in Headwar, Les Morts Vont Bien, Sultan Solitude, Roberto Succo and about 125 other simultaneous projects) could have contented itself with live performance, where it seems to be reaching its full potential. In view of such firepower, what more could we expect from a record, other than an inevitable disappointment? Well, in fact it’s just the opposite: his first album Chien d’la casse had proven it, and Selflic definitely confirms it.
Martial pianos, mongoloid harpsichords, rural techno, social horror: this new record contains all it takes to writhe, sweat, shudder, pant, stagger, pick yourself up, crawl, howl, faint, get up and pick yourself up again – in short, to have fun.
From "SELFLIC" album
ReplyDeleteMore infos:http://www.bornbadrecords.net/releases/bb107-use-selflic/
https://usemoiencore.bandcamp.com
https://use666.wordpress.com
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Nicolas Belvalette (the man behind Usé, who can also be seen in Headwar, Les Morts Vont Bien, Sultan Solitude, Roberto Succo and about 125 other simultaneous projects) could have contented itself with live performance, where it seems to be reaching its full potential. In view of such firepower, what more could we expect from a record, other than an inevitable disappointment? Well, in fact it’s just the opposite: his first album Chien d’la casse had proven it, and Selflic definitely confirms it.
Martial pianos, mongoloid harpsichords, rural techno, social horror: this new record contains all it takes to writhe, sweat, shudder, pant, stagger, pick yourself up, crawl, howl, faint, get up and pick yourself up again – in short, to have fun.